Boris Bućan, 1982. Poster for Igor Stravinsky's ballet Firebird (1982, HNK in Split).

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Poster for Igor Stravinsky's ballet Firebird (1982, Croatian National Theater in Split). in 1982
Poster of 6 parts.
Signed by the author.
Dimensions: 198 x 202 cm.

The posters from the series for the Croatian National Theater in Split from 1982 stand out for their exceptional artistic quality, among which is the poster for Igor Stravinsky's ballet Firebird (1982, Croatian National Theater in Split). At the exhibition of the history of poster design held at The Victoria and Albert Museum in London, that Bućan poster was included among the 250 best world posters created in the period from 1870 to 1998. The poster also adorns the cover of the catalog The Power of the Poster of the said exhibition, which is exceptional recognition to the artist.

The graphic of the grass on the Firebird poster, a detail that the author holds under his patent, has become his trademark and runs through his numerous poster solutions as an inexhaustible inspiration, a starting point for the design of motifs (cathedrals, animals, people, musical instruments...) and their metamorphoses. . On Bućan's posters live animals with anthropomorphized details, female bodies with zoomorphic features, anthropomorphized musical instruments, with which, playing with elements of certain styles of the past, he builds new syntaxes. Through transformations of motifs, the author enters into communication with the observer, giving him a riddle, an enigmatic game with images, a game of deciphering symbols and connecting them on new levels of meaning.

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Description

Boris Bućan (Zagreb, March 15, 1947), Croatian fine artist, painter and graphic designer. He also creates in glass. Regular member of the Croatian Academy of Sciences and Arts.

He was born on March 15, 1947 in Zagreb. After graduating from the School of Applied Arts, he entered the Academy of Fine Arts in Ljubljana in 1967. He continued his painting studies at the Academy of Fine Arts in Zagreb, where he graduated in 1972.
He appeared on the local art scene at the end of the seventies, performing interventions in the public urban spaces of the city: the blue painted pavement in Varšavska street in Zagreb and the work called Pictural loop (a large snake-like spatial painting) which he worked with Josip Stošić in 1969 for the then Centar Gallery. in her yard in Gundulićeva Street. Bućan has so far had more than seventy solo exhibitions and more than 160 appearances at collective exhibitions, the most famous of which are the Venice Biennale in 1984, where he represented the SFRY, the Biennale in Sao Paolo in 1989, the Triennale in Milan in 1992 and World Goes Pop. 2015 at Tate Modern in London.
He is extremely appreciated in the country and abroad because of his distinctive approach to poster design. He is the winner of numerous awards in the country and abroad. In the last decade, he has increasingly turned to conceptual painting and conceptual combinations of found photographs and graphics.

Product information

Length 130 × 100 cm

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