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Let there be light. And would...a lamp? Or, you must be familiar with the sentence: "Let's dim the light and play the music..." Let's read between the lines - I want the atmosphere. You don't need to see everything right away. Sometimes the magic is in the discovery. And this lamp offers that. A combination of design, light and atmosphere. Too much light blinds us, it is not pleasant to tap in the dark, but the play of light and shadow can be just what we are looking for.
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The table is a whole made up of eleven hand-made parts. The base of the table consists of ten semicircular wooden, lacquered elements; five white and five black. Each element is separate and it is possible to arrange them according to your own taste and thus reshape the shape of the table and create a completely new atmosphere by rhythmically changing the colored elements. By reducing or adding elements, it is possible to change the height of the table. The table top is cut asymmetrically and has an organic shape. It is hand polished to maintain the quality and uniqueness of the table.
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We desire things that aren't only beautiful but functional as well. This book holder is multifunctional; it could be a painting or a figurine. It holds the book we read, a recipe we are trying out, a musical notation while playing an instrument, or our tablet while exploring the web. Chances make opportunities.
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Poster for Igor Stravinsky's ballet Firebird (1982, Croatian National Theater in Split). 1982. Poster of 6 parts. Signed by the author. Dimensions: 198 x 202 cm. The posters from the series for the Croatian National Theater in Split from 1982 stand out for their exceptional artistic quality, among which is the poster for Igor Stravinsky's ballet Firebird (1982, Croatian National Theater in Split). At the exhibition of the history of poster design held at The Victoria and Albert Museum in London, that Bućan poster was included among the 250 best world posters created in the period from 1870 to 1998. The poster also adorns the cover of the catalog The Power of the Poster of the said exhibition, which is exceptional recognition to the artist. The graphic of the grass on the Firebird poster, a detail that the author holds under his patent, has become his trademark and runs through his numerous poster solutions as an inexhaustible inspiration, a starting point for the design of motifs (cathedrals, animals, people, musical instruments...) and their metamorphoses. . On Bućan's posters live animals with anthropomorphized details, female bodies with zoomorphic features, anthropomorphized musical instruments, with which, playing with elements of certain styles of the past, he builds new syntaxes. Through transformations of motifs, the author enters into communication with the observer, giving him a riddle, an enigmatic game with images, a game of deciphering symbols and connecting them on new levels of meaning.